The year after Joan Crawford died, her estranged, adopted daughter Christina published a tell-all, accusing her late mother of having been an abusive monster when the cameras weren’t around. Three years later, Mommie Dearest became a movie, starring the only actress of the “new Hollywood” who Joan herself had commended, Faye Dunaway. The disastrous production of that film revealed how much had changed in Hollywood since Joan’s heyday, and the finished film did much to mutate Joan’s persona in the minds of future generations.
Dana Stevens, Laura Miller, and Mike Pesca discuss the film The Revenant, Marie Kondo's latest book for wannabe neat freaks, and whether profanity exposes a worldview. The Slate Culture Gabfest is brought to you by BollandBranch.com, the...
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Health-related jobs in areas such as home health care and hospitals will grow by about 3.7 million jobs by 2026, according to a new report released by the Labor Department. The Wall Street Journal's Sharon Nunn has the latest on further jobs growth.
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