Elia Kazan introduced audiences to Warren Beatty, James Dean and Marlon Brando. His films of the 1950s -- including A Streetcar Named Desire, On the Waterfront, and East of Eden -- comprise perhaps the most impressive body of work of an American director of the decade. But Kazan, who was briefly a Communist in the 1930s, likely would not have been able to make many of those films had he not named names to HUAC in 1952.
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This is 50! On this golden anniversary episode of Filmspotting: Streaming Video Unit, Matt and Alison celebrate the best of 2013 with the Second Annual SVUvie Awards. Plus, the Listeners' Choice Review of PRISONERS sparks one of the biggest disagreements