Jean buries her child in Iowa, and then returns to Paris in a fragile mental state. Increasingly plagued by both justifiable paranoia and delusions, she makes her last significant films (including another misguided collaboration with Romain Gary), and another attempt at marriage. Back in the States, Jane subsumes her passion for activism into her new marriage to Tom Hayden, and works to get her movie career back on track by producing commercial yet socially conscious vehicles in which she can star in. One of these films, Coming Home, would become both an anti-war and feminist landmark, and would win Jane another Oscar.
This is 50! On this golden anniversary episode of Filmspotting: Streaming Video Unit, Matt and Alison celebrate the best of 2013 with the Second Annual SVUvie Awards. Plus, the Listeners' Choice Review of PRISONERS sparks one of the biggest disagreements