It’s perhaps unfair to compare the uninspiring new LIFE with the genre-defining ALIEN, but we do it anyway in this half of our discussion of how the Ridley Scott classic (and GRAVITY) informed Daniel Espinosa’s halfhearted homage. After wrestling with our apathy toward the newer movie, we compare the two films’ extraterrestrial baddies, their effects, and their use of space, both outer and inner. Plus, Your Next Picture Show, where we share recent filmgoing experiences in hopes of putting something new on your cinematic radar.
Please share your comments, thoughts, and questions about ALIEN, LIFE, or both by sending an email to email@example.com, or leaving a short voicemail at (773) 234-9730.
Your Next Picture Show:
Tasha: “Junkyard” by Clifford D. Simak (via Tangentonline.com); “No Offense, But What Is Donnie Darko?” by Rachel Handler (MTV.com); “Beauty and the Beast’s Lumiere and Cogsworth Have a Fascinating Real-Life Backstory,” and “Game Over, Uwe Boll,” by Darryn King (VanityFair.com)
Keith: John Waters’ MULTIPLE MANIACS and SERIAL MOM
* Scott: Julia Ducournau’s RAW
The calendar may say summer but Matt and Alison are bundling up for the latest episode of SVU, where they travel to the snowy peaks of Anatolia for a discussion of Nuri Bilge Ceylan's Palme d'Or-winning film WINTER SLEEP. Plus they recommend some other mo