In this half of our discussion of the “weird conceptual sandwich” that is THE MATRIX and GHOST IN THE SHELL, we puzzle over why the latter hyper-stylish, cerebral film fails where the former succeeds. The two films ultimately have different aims, but their approaches are surprisingly similar — though it’s how they differ that’s most telling. Plus, Your Next Picture Show, where we share recent filmgoing experiences in hopes of putting something new on your cinematic radar.
Please share your comments, thoughts, and questions about THE MATRIX, GHOST IN THE SHELL, or both by sending an email to firstname.lastname@example.org, or leaving a short voicemail at (773) 234-9730.
Your Next Picture Show:
Keith: Makoto Shinkai’s YOUR NAME and David Cronenberg’s EXISTENZ
Genevieve: Netflix’s FIVE CAME BACK
Tasha: Jonathan Glazer’s UNDER THE SKIN
Scott: Oz Perkins’ I AM THE PRETTY THING THAT LIVES IN THE HOUSE and THE BLACKCOAT'S DAUGHTER