Jordan Peele’s writing-directing debut GET OUT translates the satirical horror of Wes Craven’s THE PEOPLE UNDER THE STAIRS from the Reagan era to the Obama era, to very different — and highly entertaining — effect. In this half of our discussion of the two films, we rave for a bit about GET OUT’s willingness to make us uncomfortable, then discuss the two films’ respective horror-to-satire ratios, as well as their approach to comedy. Plus, Your Next Picture Show, where we share recent filmgoing experiences in hopes of putting something new on your cinematic radar.
Please share your comments, thoughts, and questions about THE PEOPLE UNDER THE STAIRS, GET OUT, or both by sending an email to email@example.com, or leaving a short voicemail at (773) 234-9730.
Your Next Picture Show:
Keith: Gore Verbinski’s A CURE FOR WELLNESS
Tasha: Colm McCarthy’s THE GIRL WITH ALL THE GIFTS
* Scott: Anthony Mann/John Alton collaborations T-MEN, RAW DEAL, and HE WALKED BY NIGHT
In 1994, Oregon voters passed the Death with Dignity Act, which legalized physician-assisted suicide for the terminally ill. Since then, it has become legal in 4 more states, including New Mexico, where the state court ruling that it is constitutional...